336 results where found for «Himno a la alegría»


Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« The island is song »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Paicavi Painemal
Experience in:
« We set up a band with a group of fellow prisoners. They were young, university students. One of them had a guitar. »
[...]
« to the entire population »
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The Letter (La carta)

Music piece by:
Violeta Parra
Testimony by:
Pedro Mella Contreras
« In January 1987, when solitary confinement was lifted and we were able to receive visitors, a brother who lived in Santiago travelled to see me. »
[...]
« to the entire population »
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The Little Snail (El caracolito)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« I composed this song for a small children’s party we organised in the visitors’ yard of the Valparaíso Jail. I remember how the children had fun that day and enjoyed the play. That was the first time I put down the guitar so that a prisoner who played the accordion could accompany me. »
[...]
« He is lazy and a grouch »
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Little Doctors (Doctorcitos)

Music piece by:
unknown. Folk tune from the Andes highlands
Testimony by:
Guillermo Orrego Valdebenito
« In 1974 - I don’t quite remember the month - the Chacabuco Olympics were held. The opening ceremony consisted of symbolically carrying the Olympic torch through the concentration camp. »
[...]
« unknown. Folk tune from the Andes highlands »
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Balderrama

Music piece by:
Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa
Testimony by:
Eduardo Ojeda
« We arrived at Camp Compingin on Dawson Island on the afternoon of 11 September. We knew that we had been arrested that morning, and we knew nothing else yet. »
[...]
« Manuel José Castilla (lyrics) and Gustavo Leguizamón (music). Popularised by Mercedes Sosa »
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The Scholar (El letrado)

Music piece by:
Quelentaro (Gastón and Eduardo Guzmán)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 – February 1974
« From the first time I heard it, I was impressed by the way the duo Quelentaro sang this song, which was also written by them. When I sang it, I always tried to sing it in their style. I never sang it on stage, only for myself or for small groups of friends strumming guitars together. »
[...]
« I don’t know how to work the land »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Alejandro Olate
« The youngest among us, aged 17 or even 16 years, did the heaviest work on Dawson Island. We had to fell trees, cut them, split them in two, cut them into wedges, and walk the several hundred meters back to the barracks carrying the logs on our shoulders. »
[...]
« His black dance makes him move »
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Candombe for José (Candombe para José)

Music piece by:
Roberto Ternán
Testimony by:
Amelia Negrón
« We were in Pavilion 1. One of us came up with the idea, I can’t remember who. There were so many of us and we spent the day inventing and creating things! »
[...]
« His black dance makes him move »
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Answer Me

Music piece by:
Fred Rauch (lyrics) and Gerhard Winkler (music). English lyrics by Carl Sigman. Recorded by Frankie Laine.
Testimony by:
Luis Cifuentes Seves
Experience in:
« I sang this song, as a soloist, in the dressing rooms of the National Stadium. »
[...]
« Fred Rauch (lyrics) and Gerhard Winkler (music). English lyrics by Carl Sigman. Recorded by Frankie Laine. »
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